Temple Of Odisha Archives — NIMBLE FOUNDATION BLOG

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BRAHMESWARA TEMPLE

Brahmeswara Temple is a Hindu temple dedicated to Shiva located in Bhubaneswar, Odisha, India, erected at the end of the 9th century CE, is richly carved inside and out. This Hindu temple can be dated with fair accuracy by the use of inscriptions that were originally on the temple. They are now lost, but records of them preserve the information of around 1058 CE. The temple is built in the 18th regnal year of the Somavamsi king Udyotakesari by his mother Kolavati Devi, which corresponds to 1058 CE.

Historians place the temple to belong to the late 11th century as ascertained from an inscription carried to Calcutta from Bhubaneswar. The inscription indicates that the temple was built by Kolavatidevi, the mother of Somavamsi king Udyota Kesari. It was built with four Natyasalas at a place known as Siddhatirtha in Ekamra (modern-day Bhubaneswar). The inscription was recorded during the 18th renal year of Udyotha Kesari, corresponding to 1060 CE. Since the inscription is not in its original place, historians indicate the possibility of the reference to another temple, but based on the location and other features specified, it is ascertained that the inscription belongs to the temple. Also, another issue raised by Panigrahi is that the four cardinal temples are Angasalas (associate temples) and not Natyasalas (dance halls) as indicated in the inscription.

The temple is classified as a panchatanaya temple where apart from the main shrine, there are four subsidiary shrines in the four corners around the temple. The temple on account of its later origin has a perfectly developed structure compared to its predecessors. The vimana of the temple is 18.96 m (62.2 ft) tall. The temple is built with traditional architectural methods of wood carving, but applied on stone building. The buildings were built in a shape of full volume pyramid, and then they would be carved inside and outside. The total area of the land is 208.84 sq. m. and the temple is built on an area of 181.16 sq. m. The basic structure of the Orissan temple has two connecting buildings. The smaller is the Jagmohana, or assembly hall. Behind it is the Shikhara, the towering sanctuary. Later temples have two additional halls in front—one for dancing, and the other for banquets.

The Brahmeswara shows quite a bit of affinity with the much earlier Mukteswar Temple, including the carved interior of the Jagmohana, and in the sculptural iconography such as the lion head motif, which appeared for the first time in the Mukteswara, and is here evident in profusion. There are quite a number of innovations, however, including the introduction of a great number of musicians and dancers, some holding lutes, on the exterior walls. For the first time in temple architectural history, iron beams find their first use.

On sandstone walls, there are symbolic decorations and the notion of godlike figures that help the believer in his meditation. The carvings over the door frame contain beautiful flower designs as well as flying figures. Like the Rajarani, there are images of the eight directional Guardian Deities. There are also quite a number of tantric-related images, and even Chamunda appears on the western facade, holding a trident and a human head, standing on a corpse. Shiva and other deities are also depicted in their horrific aspects.One of the lost inscriptions stated that a Queen Kolavati presented ‘many beautiful women’ to the temple, and it has been suggested that this is evidence of the ‘Devadasi’ tradition, which assumed such importance in later Orissan temple architecture and temple life.

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LINGARAJA TEMPLE

Lingaraja Temple is a Hindu temple dedicated to Shiva and is one of the oldest temples in Bhubaneswar, the capital of the Indian state of Odisha, India. The temple is the most prominent landmark of Bhubaneswar city and one of the major tourist attractions of the state.
The Lingaraja temple is the largest temple in Bhubaneswar. The central tower of the temple is 180 ft (55 m) tall. The temple represents the quintessence of the Kalinga architecture and culminating the medieval stages of the architectural tradition at Bhubaneswar. The temple is believed to be built by the kings from the Somavamsi dynasty, with later additions from the Ganga rulers. The temple is built in the Deula style that has four components namely, vimana (structure containing the sanctum), jagamohana (assembly hall), natamandira (festival hall) and bhoga-mandapa (hall of offerings), each increasing in the height to its predecessor. The temple complex has 108 other shrines and is enclosed by a large compound wall.

Bhubaneswar is called the Ekamra Kshetra as the deity of Lingaraja was originally under a mango tree (Ekamra) as noted in Ekamra Purana, a 13th-century Sanskrit treatise. The temple is active in worship practises, unlike most other temples in Bhubaneswar. The temple has images of Vishnu, possibly because of the rising prominence of Jagannath sect emanating from the Ganga rulers who built the Jagannath Temple in Puri in the 12th century. The central deity of the temple, Lingaraja, is worshipped as Shiva.

Lingaraja temple is maintained by the Temple Trust Board and the Archaeological Survey of India (ASI). The temple has an average of 6,000 visitors per day and receives lakhs of visitors during festivals. Shivaratri festival is the major festival celebrated in the temple and event during 2012 witnessed 200,000 visitors. The temple compound is not open to non-Hindus, but there is a viewing platform beside the wall offering a good view of the main exteriors. This was originally erected for a visit by Lord Curzon when Viceroy.
The temple in its present form dates back to the last decade of the eleventh century. There is evidence that part of the temple was built during the sixth century CE as mentioned in some of the seventh century Sanskrit texts. Fergusson believes that the temple might have been initiated by Lalat Indu Keshari who reigned from 615 to 657 CE. The Assembly hall (jagamohana), sanctum and temple tower were built during the eleventh century, while the Hall of offering (bhoga-mandapa) was built during the twelfth century. The natamandira was built by the wife of Salini between 1099 and 1104 CE. By the time the Lingaraja temple was completely constructed, the Jagannath (form of Vishnu) sect had been growing in the region, which historians believe, is evidenced by the co-existence of Vishnu and Shiva worship at the temple. The kings of Ganga dynasty were ardent followers of Vaishnavism, [shaivism] and [shaktism] and built the Jagannath Temple at Puri in the 12th century.

As per some accounts, the temple is believed to have been built by the Somavanshi king Yayati I (1025-1040), during the 11th century CE. Jajati Keshari shifted his capital from Jajpur to Bhubaneswar which was referred to as Ekamra Kshetra in the Brahma Purana, an ancient scripture. One of the Somavamsi queens donated a village to the temple and the Brahmins attached to the temple received generous grants. An inscription from the Saka year 1094 (1172 CE) indicates gifts of gold coins to the temple by Rajaraja II. Another inscription of Narasimha I from the 11th century indicates offer of beetel leaves as tambula to the presiding deity. Other stone inscriptions in the temple indicate royal grants from Chodaganga to the nearby village people.K.C. Panigrahi mentions that Yayti I had no time to build the temple and it should have been initiated by his sons Ananta Kesari and Udyota Kesari (believed to be other names of Yayati II as well). The argument provided against the view is that is his weak successors could not have constructed such a magnificent structure.

The Lingaraja temple is the largest temple in Bhubaneswar. James Fergusson (1808–86), a noted critic and historian rated the temple as “one of the finest examples of purely Hindu temple in India”. It is enshrined within a spacious compound wall of laterite measuring 520 ft (160 m) by 465 ft (142 m). The wall is 7.5 ft (2.3 m) thick and surmounted by a plain slant coping. Alongside the inner face of the boundary wall, there is a terrace to protect the compound wall against outside aggression. The tower is 45.11 m (148.0 ft) high and the complex has 150 smaller shrines in its spacious courtyard. Each inch of the 55 m (180 ft) tall tower is sculpted. The door in the gate of the entrance porch is made of sandalwood.
The Lingaraja temple faces east and is built of sandstone and laterite. The main entrance is located in the east, while there are small entrances in the north and south. The temple is built in the Deula style that has four components namely, vimana (structure containing the sanctum), jagamohana (assembly hall), natamandira (festival hall) and bhoga-mandapa (hall of offerings), with all four in axial alignment with descending height. The dance hall was associated with the raising prominence of the devadasi system that existed during the time. The various units from the Hall of offering to the tower of the sanctum increase in height.

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ANANTA VASUDEVA TEMPLE

Ananta Vasudeva Temple (“Temple of the Infinite Vāsudeva”, Odia:ଅନନ୍ତ ବାସୁଦେବ ମନ୍ଦିର) is a Hindu temple dedicated to Krishna, an avatar of Vishnu located in Bhubaneswar, the state capital of Odisha, India. The temple was constructed in the thirteenth century, and the complete murtis of Krishna, Balarama and Subhadra are worshipped there. The temple dates back to the period of Chandrika Devi, the daughter of Anangabhima III, during the reign of the king Bhanudeva. A commemorative inscription that marked the foundation of the temple can be found in the British Museum’s collection.

It appears that the original image of Vishnu was worshipped on the spot where the great temple of Ananta Vasudeva was built in the 13th century A.D. Thus in the 13th century, Queen Chandrika of Eastern Ganga dynasty was prompted to construct a new temple – the temple of Ananta Vasudeva in this place. There must have been an old temple where this Vishnu image was installed. The Marathas, who extended their empire up to river Mahanadi, were responsible for renovating the Vishnu temple at Bhubaneswar in the late 17th Century.

In form, the temple resembles the Lingaraj temple, but includes Vaishnavite (Vishnu related) sculptures. The temple has longitudinal bands of miniature shikharas (shrines), exactly like those in Lingaraj temple, with the minor difference that the number of the shikharas forming one longitudinal band in its case is only three. The sculpture in the exterior walls varies in character in each temple in Bhubaneswar. Most of the female sculptures in the temple walls are overly ornamented and lack originality.

The sanctum has the icons of Krishna, Balarama, and Subhadra. Balarama stands under a seven-hooded serpent, Subhadra holds pot of jewels and a lotus in her two hands, keeping her left foot over another jewel pot, while Krishna holds a mace, chakra, lotus, and a conch.

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KONARK SUN TEMPLE

Konark is a medium town in the Puri district in the state of Odisha, India. It lies on the coast by the Bay of Bengal, 65 kilometres from the capital of the state, Bhubaneswar. It is the site of the 13th-century Sun Temple, also known as the Black Pagoda, built in black granite during the reign of Narasinghadeva-I. The temple is a World Heritage Site. The temple is now mostly in ruins, and a collection of its sculptures is housed in the Sun Temple Museum, which is run by the Archaeological Survey of India.

Konark is also home to an annual dance festival called Konark Dance Festival, devoted to classical Indian dance forms, including the traditional classical dance of Odisha, Odissi. In February 2019, the Konark Dance Festival (now called Konark Music and Dance Festival) will be hosting its 33rd edition. The state government is also organising annual Konark Festival and International Sand Art Festival at Chandrabhaga Beach of Konark.
On 16 February 1980, Konark lay directly on the path of a total solar eclipse.

The Sun Temple was built in the 13th century and designed as a gigantic chariot of the Sun God, Surya, with twelve pairs of ornamented wheels pulled by seven horses. Some of the wheels are 3 metres wide. Only six of the seven horse still stand today. The temple fell into disuse after an envoy of Jahangir,desecrated the temple in the early 17th century.

According to folklore, there was a diamond in the centre of the idol which reflected the sun rays that passed. In 1627, the then Raja of Khurda took the Sun idol from Konark to the Jagannath temple in Puri. The Sun temple belongs to the Kalingan school of Indian temple architecture. The alignment of the Sun Temple is along the east–west direction. The inner sanctum or vimana used to be surmounted by a tower or shikara but it was razed in the 19th century. The audience hall or jagamohana still stands and comprises majority of the ruins. The roof of the dance hall or natmandir has fallen off. It stands at the eastern end of the ruins on a raised platform.

In 1559, Mukunda Gajapati came to throne in Cuttack He aligned himself as an ally of Akbar and an enemy of the Sultan of Bengal, Sulaiman Khan Karrani After a few battles, Odisha finally fell. The fall was also aided by the internal turmoil of the state. In 1568, the Konark temple was damaged by the army of Kalapahad, a general of the Sultan. Kalapahad is also said to be responsible for damages to several other temples during the conquest.

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