February 2024 — Page 2 of 2 — NIMBLE FOUNDATION BLOG

INCREDIBLE INDIA !! [BLOG #7]

ANANTA VASUDEVA TEMPLE

Ananta Vasudeva Temple (“Temple of the Infinite Vāsudeva”, Odia:ଅନନ୍ତ ବାସୁଦେବ ମନ୍ଦିର) is a Hindu temple dedicated to Krishna, an avatar of Vishnu located in Bhubaneswar, the state capital of Odisha, India. The temple was constructed in the thirteenth century, and the complete murtis of Krishna, Balarama and Subhadra are worshipped there. The temple dates back to the period of Chandrika Devi, the daughter of Anangabhima III, during the reign of the king Bhanudeva. A commemorative inscription that marked the foundation of the temple can be found in the British Museum’s collection.

It appears that the original image of Vishnu was worshipped on the spot where the great temple of Ananta Vasudeva was built in the 13th century A.D. Thus in the 13th century, Queen Chandrika of Eastern Ganga dynasty was prompted to construct a new temple – the temple of Ananta Vasudeva in this place. There must have been an old temple where this Vishnu image was installed. The Marathas, who extended their empire up to river Mahanadi, were responsible for renovating the Vishnu temple at Bhubaneswar in the late 17th Century.

In form, the temple resembles the Lingaraj temple, but includes Vaishnavite (Vishnu related) sculptures. The temple has longitudinal bands of miniature shikharas (shrines), exactly like those in Lingaraj temple, with the minor difference that the number of the shikharas forming one longitudinal band in its case is only three. The sculpture in the exterior walls varies in character in each temple in Bhubaneswar. Most of the female sculptures in the temple walls are overly ornamented and lack originality.

The sanctum has the icons of Krishna, Balarama, and Subhadra. Balarama stands under a seven-hooded serpent, Subhadra holds pot of jewels and a lotus in her two hands, keeping her left foot over another jewel pot, while Krishna holds a mace, chakra, lotus, and a conch.

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INCREDIBLE INDIA !! [BLOG #6]

KONARK SUN TEMPLE

Konark is a medium town in the Puri district in the state of Odisha, India. It lies on the coast by the Bay of Bengal, 65 kilometres from the capital of the state, Bhubaneswar. It is the site of the 13th-century Sun Temple, also known as the Black Pagoda, built in black granite during the reign of Narasinghadeva-I. The temple is a World Heritage Site. The temple is now mostly in ruins, and a collection of its sculptures is housed in the Sun Temple Museum, which is run by the Archaeological Survey of India.

Konark is also home to an annual dance festival called Konark Dance Festival, devoted to classical Indian dance forms, including the traditional classical dance of Odisha, Odissi. In February 2019, the Konark Dance Festival (now called Konark Music and Dance Festival) will be hosting its 33rd edition. The state government is also organising annual Konark Festival and International Sand Art Festival at Chandrabhaga Beach of Konark.
On 16 February 1980, Konark lay directly on the path of a total solar eclipse.

The Sun Temple was built in the 13th century and designed as a gigantic chariot of the Sun God, Surya, with twelve pairs of ornamented wheels pulled by seven horses. Some of the wheels are 3 metres wide. Only six of the seven horse still stand today. The temple fell into disuse after an envoy of Jahangir,desecrated the temple in the early 17th century.

According to folklore, there was a diamond in the centre of the idol which reflected the sun rays that passed. In 1627, the then Raja of Khurda took the Sun idol from Konark to the Jagannath temple in Puri. The Sun temple belongs to the Kalingan school of Indian temple architecture. The alignment of the Sun Temple is along the east–west direction. The inner sanctum or vimana used to be surmounted by a tower or shikara but it was razed in the 19th century. The audience hall or jagamohana still stands and comprises majority of the ruins. The roof of the dance hall or natmandir has fallen off. It stands at the eastern end of the ruins on a raised platform.

In 1559, Mukunda Gajapati came to throne in Cuttack He aligned himself as an ally of Akbar and an enemy of the Sultan of Bengal, Sulaiman Khan Karrani After a few battles, Odisha finally fell. The fall was also aided by the internal turmoil of the state. In 1568, the Konark temple was damaged by the army of Kalapahad, a general of the Sultan. Kalapahad is also said to be responsible for damages to several other temples during the conquest.

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INCREDIBLE INDIA !! [BLOG #5]

BHORAMDEO TEMPLE

Bhoramdeo Temple is a complex of Hindu temples dedicated to the god Shiva in Bhoramdeo, in the Indian state of Chhattisgarh. It comprises a group of four temples of which the earliest is a brick-temple.

The main temple is the Bhoramdeo temple built in stone. The architectural features with erotic sculptures has given a distinct style akin to the Khajuraho temple and the Konark Sun Temple in Odisha, and hence the Bhoramdeo complex is known by the sobriquet the “Khajuraho of Chhattisgarh”.

Another temple within a distance of about 1 kilometre (0.62 mi) from Bhoramdeo, which is mentioned along with the Bhoramdeo complex is the Madwa Mahal, meaning marriage hall in local dialect, also known as Dullhadeo. It was built in 1349 during the reign of Ramchandra Deo of the Naga dynasty of Kawardha and has a unique Shiva Linga erected over 16 pillars.

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INCREDIBLE INDIA !! [BLOG #4]

BRIHADISHVARA TEMPLE

Brihadishvara Temple, called Rajarajesvaram (lit. ’Lord of Rajaraja’) by its builder, and known locally as Thanjai Periya Kovil (lit. ’Thanjavur Big Temple’) and Peruvudaiyar Kovil, is a Shaivite Hindu temple built in a Chola architectural style located on the south bank of the Cauvery river in Thanjavur, Tamil Nadu, India. It is one of the largest Hindu temples and an exemplar of Tamil architecture. It is also called Dakshina Meru (Meru of the South). Built by Chola emperor Rajaraja I between 1003 and 1010 CE, the temple is a part of the UNESCO World Heritage Site known as the “Great Living Chola Temples”, along with the Chola-era Gangaikonda Cholapuram temple and Airavatesvara temple, which are about 70 kilometres (43 mi) and 40 kilometres (25 mi) to its northeast respectively.

The original monuments of this 11th-century temple were built around a moat. It included gopura, the main temple, its massive tower, inscriptions, frescoes, and sculptures predominantly related to Shaivism, but also of Vaishnavism and Shaktism. The temple was damaged in its history and some artwork is now missing. Additional mandapam and monuments were added in the centuries that followed. The temple now stands amidst fortified walls that were added after the 16th century.

Built using granite, the vimana tower above the shrine is one of the tallest in South India. The temple has a massive colonnaded prakara (corridor) and one of the largest Shiva lingas in India. It is also famed for the quality of its sculpture, as well as being the location that commissioned the brass Nataraja, Shiva as the lord of dance, in the 11th century. The complex includes shrines for Nandi, Parvati, Murugan, Ganesha, Sabhapati, Dakshinamurti, Chandeshvara, Varahi, Thiyagarajar of Thiruvarur, Siddhar Karuvoorar and others. The temple is one of the most visited tourist attractions in Tamil Nadu.

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INCREDIBLE INDIA !! [Blog #3]

KARPAKA VINAYAKA TEMPLE

Karpaka Vinayaka Temple or Pillaiyarpatti Pillaiyar Temple is a 7th-century CE rock-cut cave shrine, significantly expanded over the later centuries. It is located in Pillayarpatti village in Tiruppathur Taluk, Sivaganga district in Tamil Nadu, India.
The temple is dedicated to Karpaka Vinayakar (Ganesha). In the cave temple, there are rock cut images of Ganesha, Siva linga and another carving that has been variously identified as Ardhanarishwara or Harihara or the early king between them who built this temple. All these are notable for their unusual iconography. In late 19th-century, during restorative excavation and repair work, panchaloga statues were discovered. These are dated to the 11th-century.

The temple has several inscriptions within the rock-cut shrines, as well as on the walls and mandapam outside. One of them mentions “Desi vinayakar” and also helps date the core layer of this temple to the 7th-century Ganesha. Another notable inscription in the sanctum is more archaic, sharing paleographic features of Tamil Brahmi and early Vatteluttu. This has led to proposals that portions of this Ganesha temple are likely older by a few centuries. The temple walls and mandapams have additional stone inscriptions from the 11th to 13th-century.

The temple is one of the nine ancestral Hindu temples of the Chettiars, its importance established in their tradition in Kali year 3815 (714 CE). The temple has a large colorful gopuram, with large mandapams elaborately decorated with frescoes, many shrines inside, salas originally added for dance and hymns singing, temple kitchen, an architecture that follows the Agamic texts and Shilpa Sastras, and a large temple tank to its north. Most of these were added in later centuries to the core rock-cut cave shrine. The temple is active and attracts numerous pilgrims, particularly women, on the annual festivals and chariot processions such as on Vinayaka Chaturthi and the Brahmothsavam in the Tamil month of Vaikasi.

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INCREDIBLE INDIA !! [Blog #2]

MASRUR TEMPLE

The Masrur Temples, also referred to as Masroor Temples or Rock-cut Temples at Masrur, is an early 8th-century complex of rock-cut Hindu temples in the Kangra Valley of Beas River in Himachal Pradesh, India. The temples face northeast, towards the Dhauladhar range of the Himalayas. They are a version of North Indian Nagara architecture style, dedicated to Shiva, Vishnu, Devi and Saura traditions of Hinduism, with its surviving iconography likely inspired by a henotheistic framework.
Though a major temples complex in the surviving form, the archaeological studies suggest that the artists and architects had a far more ambitious plan and the complex remains incomplete. Much of the Masrur’s temple’s sculpture and reliefs have been lost. They were also quite damaged, most likely from earthquakes.

The temples were carved out of monolithic rock with a shikhara, and provided with a sacred pool of water as recommended by Hindu texts on temple architecture. The temple has three entrances on its northeast, southeast and northwest side, two of which are incomplete. Evidence suggests that a fourth entrance was planned and started but left mostly incomplete, something acknowledged by the early 20th-century colonial era archaeology teams but ignored leading to misidentification and erroneous reports. The entire complex is symmetrically laid out on a square grid, where the main temple is surrounded by smaller temples in a mandala pattern. The main sanctum of the temples complex has a square plan, as do other shrines and the mandapa. The temples complex features reliefs of major Vedic and Puranic gods and goddesses, and its friezes narrate legends from the Hindu texts.

The temple complex was first reported by Henry Shuttleworth in 1913 bringing it to the attention of archaeologists. They were independently surveyed by Harold Hargreaves of the Archaeological Survey of India in 1915. According to Michael Meister, an art historian and a professor specializing in Indian temple architecture, the Masrur temples are a surviving example of a temple mountain-style Hindu architecture which embodies the earth and mountains around it.

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INCREDIBLE INDIA !! [BLOG #1]

ARASAVALLI SUN TEMPLE

Arasavalli Sun Temple is a temple for Lord Surya, the solar deity, at Arasavalli in the Indian state of Andhra Pradesh. It is located in Arasavalli Village 1 km east of Srikakulam. It is believed that the temple was built in 7th century CE by King Devendra Varma, a great ruler of Eastern Ganga Dynasty of Kalinga . The present structure is largely a result of 18th century renovations. The temple was built in Rekha deula style of Kalinga Architecture like Puri Jagannath temple of Odisha. This temple is considered one of the oldest sun temples in India.[citation needed] The temple is one of the two major (remaining out of three, as the third temple was destroyed by Sikandar Shah Miri) temples who worship Lord Surya in India. The other two are the Konark Sun Temple, Odisha and Martand Sun Temple, Jammu and Kashmir (union territory).

According to Padmapuranam, Sage Kasyapa installed the Idol of Surya at Arasavalli for the welfare of mankind. The Surya is of Kasyapasa Gotra. He is also termed a planetary King.

The walls are inscribed saying the creator of the temple was the ruler Devendra Varma, stating it was built in the time period known to them as the 7th century. The walls also state the temple was fixed and changed to help with some of the sun temple’s major flaws during the 18th and 19th century. Many of these changes were donated by the Dusi family.[citation needed] The temple fell into despair over the centuries and was reconstructed in 1778 CE by Elamanchili Pullaji Panthulu. Over the years the Sun temple was a landmark for many of the festivals celebrated in the town. Including festival Rathasaptami.

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