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MAA DEWRI TEMPLE

Dewri Mandir is a mandir situated in Diuri village, Tamar near Ranchi in Jharkhand in India. It is located near the Tata-Ranchi Highway (NH33). The main attraction of this ancient mandir is, 700 year old murti of the Goddess Durga, Kali. The murti have 16 hands (Normally Goddess Durga has 10 Hands). It is an ancient Mandir and It was renovated few years back. The ancient mandir was constructed by interlocking stones without using chalk or binding material. This temple is also known as, Mata Dewri Diri in tribal Bhumij Munda languages.

At the temple devotees tie yellow and red sacred threads on bamboo for the fulfilment of their wishes. Upon the fulfillment of their wishes, they again come to the temple and untie the thread. Dedicated to Solha Bhuji Goddess, an avatar of Goddess Durga, Dewri Mandir temple is located a little outside the main city of Ranchi. Spread over nearly two acres, this old temple in Ranchi also houses an idol of Lord Shiva here. As per the Legends, whoever has tried to alter the structure of this temple, has had to face the wrath of the gods and suffer consequences. Dewri Temple is also believed to be the only temple where six tribal priests, known as Pahans, perform rituals and offer prayers alongside the Brahmin priests, who are mainly known as Pandas. Located about 60 km from Ranchi, this temple is on the right side of the Ranchi-Tata road, toward the town of Tamar.

It is said that this Mandir was built during 16th to 20th century. The doors of this Mandir is made up of stone. This Mandir’s deity’s Murti have sixteen hands. According to the media reports this Mandir’s murti’s architecture style is similar to the murti’s found in temples of Odisha state.
This mandir is of Maa (mother) Deudi Devi. Devadi Maa is Maa Kali. The Murti of the deity has 16 arms and it is 3 foot tall. Deity is holding bow, shield, flower and param in her arms. Deori Maa’s Murti have different types of Gold jewelry. This deity’s name also reported as Dewri devi.

According to a legend associated with this Mandir this Mandir was built by Adivasi king Kera. It is believed that this Mandir is 700 years old. It is said that this temple was established in year 1300 by King Kera, a Munda king of Singhbhum. Legends says that the king established, built this Mandir, when he was returning from a war after defeating. He established this temple at this very place and by the blessings of goddess Ma (Mother) Kali he got his state back.

According to anathor legend, Chamru pandas (Brahmin) use to come to visit two times in a year to the king of this region. The king asked them to live in this place to do puja, and they started to live at this place. One day these Brahmins was doing tapasya in this wild, when goddess gave darshan (visit) to them and said she wants to meet them. The Brahmins told this incident to the king. King cleared this temple’s area, during this work they found a black stone. The labours returned their respective homes after being tired, they came next day to do work when they saw a mandir formed at this place. Some peoples believes that this mandir was built by Emperor Ashok, when he was on the war campaign of Kalinga (Now knows as Odisha). The Mandir have impact of tribal culture (specially Bhumij tribes). Here tribal peoples do the work of everyday puja. The temple is situated near Ranchi of Jharkhand. Tribal pahans (prist) do the puja for six days of week and only one day a Brhamin do the work of puja at this temple. The Garbhagriha have the murti of Maa Deudi Devi.

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POLALI RAJARAJESHWARI TEMPLE

Polali Rajarajeshwari Temple is a temple located in Polali, Dakshina Kannada district in Karnataka. The primary deity of the temple is Shri Rajarajeshwari. The temple was constructed in the 8th century AD by King Suratha and has been developed by many dynasties which ruled over the region. The idol of Sri Rajarajeshwari, another name/form of the divine Goddess Sri Lalita Tripurasundari, is completely moulded from clay with special medicinal properties. The temple portrays Hindu architecture with roofs adorned with wooden carvings of gods and copper plates. Daily and special poojas are conducted in the temple under the auspices of the head priest madhava bhat. Annual festivals are held in the temple with much fanfare. Polali Chendu festival is an important festive event where football is played to represent the fight of good over evil. The Chendu festival is followed by the annual festival in March, which lasts for a month and is attended by people from all over the world.

The temple is located in Polali on the banks of the river Phalguni in Kariyangala village of Bantwal taluk, Dakshina Kannada, Karnataka. The temple is surrounded by lush paddy fields. The Phalguni river flows on the northern side of the temple. The nearest city from the temple is Mangalore at 19 km away.
The place where the temple was located was known as Pural in ancient times. The word Pural means Flute in Tulu language. The origin of the word Pural is the Mugera language. The word Pural or Purel also has the meaning of changing sides, which may also apply in this case as the river takes an abrupt turn near the temple. In Sanskrit, it was referred to as Paliapura, which later came to be known as Polali in Kannada. In several ancient epigraphs and records, the main deity of the temple was referred to as Porala Devi.

The temple has been referred to in many ancient inscriptions, including the Markandeya Purana, Ashoka inscriptions and travel accounts of ancient travellers. According to an inscription discovered in the vicinity of the temple, the temple around the clay idol was built in 8th century AD. It is a widely held belief that the temple was built by King Suratha, and that the king offered his own crown, studded with precious jewels, to be placed on the head of the deity. The king, having lost most of his kingdom in a war and being betrayed by his own ministers, is believed to have taken refuge under a sage named Sumedha in forests located around what is the location of the temple now. The clay idol of the main deity in the temple is historically believed to be up to 5000 years old. The king is reported to have carved the clay idol of Shri Rajarajeshwari himself and offered penance to the deity in return for his kingdom. Many ancient inscriptions alluding to the temple were reported around the temple, but were lost over time primarily due to the neglect of their keepers. The remaining inscriptions, which are available today were obtained in kariyangala village, Ammunje and in the temple itself and is now under custody of the Karnataka Government.

The region surrounding the temple were ruled by many dynasties including Kadamba, Chalukya, Alupa, Rashtrakoota, Hoisala, Vijayanagara, Ikkeri, Mysore etc. Most of these dynasties spent a lot of resources on this temple and donated agricultural lands for the benefit of the temple. Kings from the Alupa dynasty, which ruled the region around 710 AD to 720 AD were particularly noted to have contributed to the development of the temple and to have encouraged the worship of Shri Rajarajeshwari in the region. In later years, Queen Chennammaji of Keladi is reported to have visited the temple and gifted the temple with a grand chariot.

Records written by Abdul Razzak in 1448 suggest that the temple was initially built from molten brass. He recorded that the temple had four platforms. An image of the deity, 5 to 6 feet in height, with red rubies for eyes were present on the highest of the platforms. Today, the idol of the main deity, Shri Rajarajeshwari is a stucco image of the deity with a height of 10 feet. The clay used for making the idol was specially prepared with herbal mixtures for added strength. The temple also has smaller idols for other deities including Subramanya, Bhadhrakali, Mahaganapathi and Saraswathi. During a religious event named Lepashta Gandha, the idols are coated with a special soil mixture with eight medicinal properties once every 12 years. The soil used for coating was prepared hundreds of years ago and not prepared freshly on each occasion. The roof of Mukhamantapa, a section of the temple has many Gods and Goddesses exquisitely carved in wood. The roofs of other sections of the temple like the Dhwajastambha, the Garbagriha and the Pillar of lights are covered in copper plates.

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